Door jaye re raah meri lyrics | Lata Mangeshkar | Asha | 1948
Song Name : Door Jaye Re Rah
Movie : Asha
Singer : Lata Mangeshkar
Music Director : Khemchand Prakash
Lyrics by : L. Meghani
Lata Mangeshkar (born as Hema Mangeshkar; 28 September 1929 – 6 February 2022) was an Indian playback singer and occasional music composer. She is widely considered to have been one of the greatest and most influential singers in India.10Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the “Queen of Melody”, “Nightingale of India”, and “Voice of the Millennium”.
Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali.Her foreign languages included English, Russian, Dutch, Nepali, and Swahili. She received several accolades and honors throughout her career.
In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India. In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India’s highest civilian honour; she is only the second female singer, after M. S. Subbulakshmi, to receive this honour. France conferred on her its highest civilian award, Officer of the National Order of the Legion of Honour, in 2007
She was the recipient of three National Film Awards, 15 Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at the Royal Albert Hall in London, UK. Her last recorded song was “Saugandh Mujhe Is Mitti ki” released on 30 March 2019 as a tribute to the Indian Army and the Nation.
At one point, she appeared in the Guinness World Records, which listed her as the most recorded artist in history between 1948 and 1987
In 1972, Meena Kumari’s last film, Pakeezah, was released. It featured popular songs including “Chalte Chalte” and “Inhi Logon Ne”, sung by Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S.( ) D. Burman’s last films, including “Rangeela Re” from Prem Pujari (1970), “Khilte Hain Gul Yahaan” from Sharmeelee (1971), and “Piya Bina” from Abhimaan (1973) and for Madan Mohan’s last films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).
Many of her notable songs in the 1970s were composed by Laxmikant–Pyarelal and Rahul Dev Burman. Many of her songs composed by Laxmikant-Pyarelal in the 1970s were written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi, and Gulzar.
In 1973, she won the National Film Award for Best Female Playback Singer for the song “Beeti Na Bitai” from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song “Kadali Chenkadali” for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma.In 1975, she again won the National Award, this time for the song “Roothe Roothe Piya” from the film Kora Kagaz, composed by Kalyanji Anandji.
From the 1970s onward, she also staged many concerts in India and abroad, including several charity concerts. She transformed the way Indian music concerts were perceived in the West. Her first concert overseas was at the Royal Albert Hall, London, in 1974.
(Despite some sources claiming that she was the first Indian to do so, according to the Hall’s own records, the first Indian to perform there was the late Ravi Shankar, on 21 October 1969.) Until that time, film music concerts were song-and-dance affairs held in community halls and colleges, rarely taken seriously. Mangeshkar demanded to sing in mainstream halls only, which was an honour that until then was bestowed only upon classical musicians.
She also released an album of Mirabai’s bhajans, “Chala Vaahi Des”, composed by her brother Hridaynath Mangeshkar. Some of the bhajans in the album include “Saanware Rang Ranchi” and “Ud Jaa Re Kaaga”.In the early 1970s, she released other non-film albums, such as her collection of Ghalib ghazals, an album of Marathi folk songs (Koli-geete), an album of Ganesh aartis (all composed by her brother Hridaynath) and an album of “abhangs” of Sant Tukaram composed by Shrinivas Khale.
In the 1978 Raj Kapoor-directed Satyam Shivam Sundaram, she sang the main theme song “Satyam Shivam Sundaram,” among the chart-toppers of the year. The film’s story is inspired by her, according to Kapoor’s daughter Ritu Nanda in her book Raj Kapoor. The book quotes Kapoor as saying, “I visualised the story of a man falling for a woman with an ordinary countenance but a golden voice and wanted to cast Lata Mangeshkar in the role.”
Door jaye re raah meri lyrics | Lata Mangeshkar | Asha | 1948
Door jaye re raah meri lyrics :
Door jaye re rah
Door jaye re
Rah meri aaj teri rah se
Door kahi door
Door door jaye re
Door jaye re
Door se hi
Mang rahi ho piya
Aaj tujhe
Aaj tumse aakhiri vidai
Rah meri aaj teri rah se
Door kahi door
Door door jaye re
Zindagi ko koi kahta ek safar
Ek safar kahani do dilo ki hai
Ye kahta hai koi
Har mujhse puchho to
Kahungi zindagi
Mohabbat aur musibat ka
Mahan sangram hai
Mere pyar mein
Soye sansar se
Arman nahi aaj
Raah meri aaj teri rah se
Door kahi door door jayegi.
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