
Tum ko bulao lyrics | Abhijeet Bhattacharya, Alka Yagnik | Yes Boss | 1997
The whimsical and romantic track “Main Koi Aisa Geet Gaoon” (popularly known by the line…

Jenna Kay Unleashes Bold Sophomore EP Smartsass
Hailing from Nashville, Jenna Kay returns with her emphatic sophomore alt-pop EP, Smartsass, marking her…

Midnight Spectacle: Runa Laila Sings, Khurshid Dances
As the clock struck midnight, the verdant grounds of Mom Inn in Bogura remained alive…

Ariana Grande Announces Final Tour Before Extended Break
Ariana Grande has confirmed that her upcoming Eternal Sunshine Tour will be her last major…

Nora Fatehi praises Shreya Ghosha saying ‘walking autotune’
Actor and dancer Nora Fatehi has sung the praises of singer Shreya Ghoshal, describing her as the perfect introduction to Indian music and culture for anyone new to Bollywood. Speaking on an American podcast hosted by singer Ciara, Fatehi, who recently collaborated with Ghoshal on the track Oh Mama! TETEMA, declared that the singer possesses […]

Begum Akhtar: The Timeless Voice Behind the Ghazal
Ghazal became more than music in Begum Akhtar’s voice. It became an intimate language of…

Vibha Sengupta, a Dedicated Voice of Rabindra Sangeet, Dies at 94
Veteran Indian Rabindra Sangeet singer Vibha Sengupta has died at the age of 94. She…

AR Rahman’s Bengaluru Comeback Turns Into a Musical Celebration
AR Rahman returned to Bengaluru after an eight-year gap, delivering a memorable evening of music…

Bahadur Hussain Khan: A Sarod Legacy Across Bengal and Beyond
In the vast tradition of South Asian classical music, some musicians leave behind more than…

Begum Akhtar: The Timeless Voice Behind the Ghazal
Ghazal became more than music in Begum Akhtar’s voice. It became an intimate language of the heart, carrying love, longing, sorrow and quiet resentment with an emotional intensity that few singers have matched. Decades after her death, her recordings continue to resonate with listeners across the Indian subcontinent. Known as the ‘Malika-e-Ghazal’, or Queen of […]









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