Khushiyan manaye lyrics | Lata Mangeshkar [ Mohammed Rafi, Geeta Dutt] | Khidki | 1948

Khushiyan manaye lyrics | Lata Mangeshkar [ Mohammed Rafi, Geeta Dutt] | Khidki | 1948

Singer: Mohammed Rafi, Geeta Dutt, Shamshad Begum, Mohantara Talpade, Lata Mangeshkar, C Ramchandra
Lyricist: Pyarelal Santoshi
Music Director: C Ramchandra

 

Khushiyan manaye lyrics | Lata Mangeshkar [ Mohammed Rafi, Geeta Dutt] | Khidki | 1948
Lata Mangeshkar, লতা মঙ্গেশকর, لاتا مانجيشكار ,लता मंगेशकरी, لتا منگیشکر

Lata Mangeshkar  (born as Hema Mangeshkar; 28 September 1929 – 6 February 2022)was an Indian playback singer and occasional music composer. She is widely considered to have been one of the greatest and most influential singers in India.Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the “Queen of Melody”, “Nightingale of India”, and “Voice of the Millennium”.

Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali. Her foreign languages included English, Russian, Dutch, Nepali, and Swahili.

Mangeshkar was born on 28 September 1929 in a Maharashtrian Brahmin family in Indore, (in the present-day Indore district of Madhya Pradesh and then the capital of the princely state of Indore which was part of the Central India Agency in British India). Her father, Deenanath Mangeshkar, was a Marathi and Konkani classical singer and theatre actor. Her mother, Shevanti (later renamed Shudhamati), was a Gujarati woman from Thalner, Bombay Presidency (now in northwest Maharashtra). Deenanath’s mother belonged to the Devadasis, a matrilineal community of temple artists.

Deenanath had taken the surname Mangeshkar, based on the name of his ancestral village, Mangeshi. Shevanti was Deenanath’s second wife; his first wife Narmada, who had died before his marriage to Shevanti, was Shevanti’s older sister.

In 1972, Meena Kumari’s last film, Pakeezah, was released. It featured popular songs including “Chalte Chalte” and “Inhi Logon Ne”, sung by Mangeshkar, and composed by Ghulam Mohammed. She recorded many popular songs for S.( ) D. Burman’s last films, including “Rangeela Re” from Prem Pujari (1970), “Khilte Hain Gul Yahaan” from Sharmeelee (1971), and “Piya Bina” from Abhimaan (1973) and for Madan Mohan’s last films, including Dastak (1970), Heer Raanjha (1970), Dil Ki Rahen (1973), Hindustan Ki Kasam (1973), Hanste Zakhm (1973), Mausam (1975) and Laila Majnu (1976).

images 2 1 Khushiyan manaye lyrics | Lata Mangeshkar [ Mohammed Rafi, Geeta Dutt] | Khidki | 1948

Many of her notable songs in the 1970s were composed by Laxmikant–Pyarelal and Rahul Dev Burman. Many of her songs composed by Laxmikant-Pyarelal in the 1970s were written by the lyricist Anand Bakshi. She also recorded many hit songs with Rahul Dev Burman in the films Amar Prem (1972), Caravan (1971), Kati Patang (1971), and Aandhi (1975). The two are noted for their songs with the lyricists Majrooh Sultanpuri, Anand Bakshi, and Gulzar.

In 1973, she won the National Film Award for Best Female Playback Singer for the song “Beeti Na Bitai” from the film Parichay, composed by R. D. Burman, and written by Gulzar. In 1974, she sang her only Malayalam song “Kadali Chenkadali” for the film Nellu, composed by Salil Chowdhury, and written by Vayalar Ramavarma. In 1975, she again won the National Award, this time for the song “Roothe Roothe Piya” from the film Kora Kagaz, composed by Kalyanji Anandji.

From the 1970s onward, she also staged many concerts in India and abroad, including several charity concerts. She transformed the way Indian music concerts were perceived in the West. Her first concert overseas was at the Royal Albert Hall, London, in 1974. (Despite some sources claiming that she was the first Indian to do so, according to the Hall’s own records, the first Indian to perform there was the late Ravi Shankar, on 21 October 1969.) Until that time, film music concerts were song-and-dance affairs held in community halls and colleges, rarely taken seriously. Mangeshkar demanded to sing in mainstream halls only, which was an honour that until then was bestowed only upon classical musicians

Khushiyan manaye lyrics | Lata Mangeshkar [ Mohammed Rafi, Geeta Dutt] | Khidki | 1948

Mast pavan hai chanchal lyrics | Lata Mangeshkar | Anil Biswas | Jeet 1949
Lata Mangeshkar, লতা মঙ্গেশকর, لاتا مانجيشكار ,लता मंगेशकरी, لتا منگیشکر

 

Khushiyan manaye lyrics:

khushiyaa manaye kyu na hum
hum kisi se kyu dare
kismat humare sath hai
jalne waale jala kare
kismat humare sath hai
jalne waale jala kare
kismat humare sath hai
jalne waale jala kare

ha dekho to unki shekhiya
ae ji humse kare mukabla
unse kaho ke roz vo
dudh aur ghee piya kare
unse kaho ke roz vo
dudh aur ghee piya kare
kismat humare sath hai
jalne waale jala kare

naajuk hai vo kalaiyaan
patli kamar me bal pade
patli kamar me bal pade
aji sau dedh sau bal pade
ha sau dedh sau bal pade
chalne me moch aayegi
parde me vo raha kare
chalne me moch aayegi
parde me vo raha kare
kismat humare sath hai
jalne waale jala kare

jala kare mara kare
sada kare gala kare
jala kare mara kare
sada kare gala kare
chahe jo kuch kare
aji magar ye apni manhus shkal le
humko na vo dikha kare
apni manhus shkal le
humko na vo dikha kare
kismat humare sath hai
jalne waale jala kare

 

images 1 9 Khushiyan manaye lyrics | Lata Mangeshkar [ Mohammed Rafi, Geeta Dutt] | Khidki | 1948

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