Author: Sufi Faruq Ibne Abubakar

Remembering Bhupen Hazarika: Assam’s Musical Legend

Remembering Bhupen Hazarika: Assam’s Musical Legend

On Wednesday, Assamese music icon Bhupen Hazarika was remembered on his 14th death anniversary, with singer-composer Papon paying tribute to the late legend, noting that his music continues to resonate even as his centenary is celebrated this year. Taking to Instagram, Papon shared a photograph of Hazarika and wrote: “Remembering the enchanting voice of Assam, […]
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Nirmalatai Gogate

Celebrating Vidushi Nirmalatai Gogate on Her Birthday

Today, we extend our heartfelt wishes to the octogenarian maestro, Vidushi Nirmalatai Gogate, a distinguished Hindustani Classical Vocalist, Veteran Stage Performer, and Actress of Sangeet Natak (Marathi and Sanskrit Theatre) — a true torchbearer of India’s classical and theatrical heritage. Nirmalatai’s life and career stand as a shining testament to perseverance, passion, and artistic excellence. […]
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Farida Parveen

The End of an Era – Remembering Farida Parveen

On 13 September 2025, Saturday at 10:15 pm, Farida Parveen breathed her last at Universal Medical College Hospital, Dhaka (Inna Lillahi wa Inna Ilayhi Raji’un). The news was confirmed by Dr Ashis Kumar Chakraborty, Managing Director of the hospital. She was 71 years old, leaving behind her husband, three sons and a daughter. For long […]
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Musical notations theory | Understanding Western Music Theory

Musical notations theory | Understanding Western Music Theory

Musical notations theory: To visually represent aurally perceived music through the use of written symbols, including ancient or modern mu-sical symbols. Types and methods of notation have varied between cultures and throughout history, and much information about ancient Musical notations is fragmentary. Although many ancient cultures used symbols to represent melodies, none of them is […]
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Raga Miyan Ki Todi

Raga Miyan Ki Todi

Within the vast realm of Hindustani classical music, Raga Mian ki Todi (often referred to simply as Todi) is far more than a specific permutation of notes; it represents profound spiritual contemplation, deep introspection, and the quiet yearning of early morning. In musical treatises, it is regarded as the quintessential primary raga of the Todi […]
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Musical Gharanas of Hindustani Classical Music

Musical Gharanas of Hindustani Classical Music

In the rich tapestry of Indian classical music, the term Gharana holds profound cultural, pedagogical, and aesthetic significance. Derived from the Hindi word ‘घराना’ meaning ‘house’ or ‘family’, in the context of music, a Gharana refers to a distinctive school or lineage of musical thought and performance, often established by an extraordinarily gifted artist. Over […]
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Hindstani Classical Music, Thumri, Kheyal

Dadra: A Graceful Semi-Classical Form of Hindustani Music

Dadra is a refined and emotive semi-classical genre within the broader tradition of Hindustani classical music. Known for its lyrical expressiveness and fluid grace, Dadra occupies a unique space between the rigid formality of classical ragas and the more spontaneous charm of folk music. It is often associated with the cultural landscapes of Agra and […]
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