Artists across Bangladesh’s cultural sphere have voiced their expectations from the incoming government, urging for transparent policies, a free working environment, and merit-based evaluation. Hamin Ahmed, a member of the renowned band Miles, has articulated these concerns, highlighting the current challenges facing musicians, actors, and other cultural professionals, and emphasising the role of the state in addressing them.
Speaking extensively on the status of the music industry, the recognition of artists, and government responsibilities, Ahmed stated, “In 54 years, much has changed in this country, but the profession of music has still not received proper state recognition. The next government must ensure formal acknowledgement of this profession. During times of unrest or crisis, people in the cultural sphere are often unnecessarily criticised and pulled into controversies. The government should make clear announcements that such injustices will no longer occur. The public deserves to know this.”
Ahmed further asserted, “If a government invites an artist to perform or contribute, that artist should not be subjected to derogatory labelling or criticism. Artists must be respected in their professional capacity. All individuals associated with arts and literature should receive focused attention from the authorities.”
He also criticised the absence of CIP (Commercially Important Person) status for artists, describing it as unfair. “Artists earn a livelihood, pay taxes diligently, yet do not receive appropriate social recognition. In many other countries, artists are universally acknowledged and respected, but our system does not yet provide this.”
Among his proposals, Ahmed emphasised introducing music education at the primary school level, asserting that it would foster mental development in students and enhance societal appreciation of the arts. He also urged the government to ensure that artists can perform safely and without hindrance nationwide.
Highlighting a vision for professionalising the music industry, he remarked, “Music should not only be an activity but an industry. By following examples from countries such as India, we can establish music as both a commercial and professional field. The government, if willing, can rely on our cooperation and guidance.”
The following table summarises the key demands of artists and potential governmental initiatives:
| Issue | Current Situation | Artists’ Expectation | Proposed Initiative |
|---|---|---|---|
| State Recognition | Absent | Ensure artists’ dignity | Grant CIP status; issue clear policy declarations |
| Working Environment | Uncertain, unstable | Safe and independent workplace | Guarantee security; allow unhindered performances |
| Education | No music curriculum | Music education from primary level | Incorporate music classes in schools |
| Artistic Dignity | Often marginalised | Recognised as professionals | Enhance respect; provide government support |
| Music as Industry | No established music industry | Professional industry | Transform music into a commercial and professional sector |
Hamin Ahmed’s message is unequivocal: the dignity, safety, and independence of cultural professionals must be secured. Should the new government address these demands, Bangladesh’s artistic and cultural environment is poised to become far more enriched and sustainable.