Aaiye aao chale wahan lyrics | Lata Mangeshkar, Mubarak Begum | Aaiye | 1949
Movie: Aaiye
Singers: Lata Mangeshkar, Mubarak Begum
Song Lyricists: Nakhshab Jarchavi
Music Composer: Shakat Ali Dehlavi (Nashad)
Music Director: Shakat Ali Dehlavi (Nashad)
Mubarak Begum (5 January 1936 – 18 July 2016) was an Indian vocalist who sang in the Hindi and Urdu languages.
She was a playback singer in Bollywood films during the 1950s and 1960s. She had also recorded and given public performances in a number of other genres, including Ghazal and Na`at.
Aaiye aao chale wahan lyrics | Lata Mangeshkar, Mubarak Begum | Aaiye | 1949
Aaiye aao chale wahan lyrics :
Aao chale aao chale
Chale waha aao chale
Aao chale aao chale
Chale waha aao chale
Bol chale chale chale
Kaha chale kaha
Aao chale aao chale
Chale waha aao chale
Door khadi door sakhi
Preetam ke gauv mein
Ha preetam ke gauv mein
Ambuva ke ped tale
Thandi thandi
O thandi thandi chhauv mein
O thandi thandi chhauv mein
Pi pi papiha pukare jaha
Aao chale chale
Waha aao chale
Aao chale aao chale
Chale waha aao chale
Bata de aye sakhi humko
Bhala wo kaisi basti hai
Ke jiske dekhne ko aankh
Teri yu tarsti hai
Kya kya hai kaise nazare
Waha bol chale
Aao chale aao chale
Chale waha aao chale
O preetam ka pyar sakhi
Mann ki bahar sakhi
Mann ki bahar sakhi
Jeevan ka teri sakhi
Poora singar sakhi
Poora singar hai
Chamke hai chand sitare
Waha chand sitare waha
Aao chale aao chale
Chale waha aao chale
Aao chale aao chale
Chale waha aao chale.
Lata Mangeshkar (born as Hema Mangeshkar; 28 September 1929 – 6 February 2022)was an Indian playback singer and occasional music composer. She is widely considered to have been one of the greatest and most influential singers in India.Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the “Queen of Melody”, “Nightingale of India”, and “Voice of the Millennium”.
Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali. Her foreign languages included English, Russian, Dutch, Nepali, and Swahili.She received several accolades and honors throughout her career. In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India.
In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India’s highest civilian honour; she is only the second female singer, after M. S. Subbulakshmi, to receive this honour. France conferred on her its highest civilian award, Officer of the National Order of the Legion of Honour, in 2007.
She was the recipient of three National Film Awards, 15 Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at the Royal Albert Hall in London, UK. Her last recorded song was “Saugandh Mujhe Is Mitti ki” released on 30 March 2019 as a tribute to the Indian Army and the Nation.
Initially, she is said to have imitated the acclaimed singer Noor Jehan, but she later developed her own style of singing.She brought a new signature style of singing to Indian film music, moving away from mehfil-style performances to suit both ‘modern’ and ‘traditional’ female protagonists. A soprano range voice with less volume or amplitude, she had enough weight in her voice to give definite shape to the melody of Indian film songs.
Although she had limited coloratura skills in her early career, she developed better tone and pitch as she progressed in her playback career. Lyrics of songs in Hindi movies were, in those days, primarily composed by Urdu poets and contained a higher proportion of Urdu words, including the dialogue.
Actor Dilip Kumar once made a mildly disapproving remark about her accent while singing Hindi/Urdu songs; so for a period of time, she took lessons in Urdu from an Urdu teacher named Shafi.In subsequent interviews she said that Noor Jehan heard her as a child and had told her to practice a lot. The two stayed in touch with each other for many years to come
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