veer tum badhe chalo Lyrics | Hindi Poem
Hindi literature (Hindi: हिन्दी साहित्य, romanized: hindī sāhitya) includes literature in the various Hindi language which have writing systems. Earliest forms of hindi literature are attested in poetry of Apabhraṃśa like Awadhi, Magadhi, Ardhamagadhi and Marwari languages. Hindi literature is composed in three broad styles- गद्य (Gadya-prose), पद्य( Padya- poetry) and चम्प्पू (Campū -Prosimetrum.
veer tum badhe chalo Lyrics | Hindi Poem
veer tum badhe chalo Lyrics :
Veer tum badhe chalo!
Dheera tum badhe chalo!
Haath main dhvaj rahe
Baal dal saja rahe
Dhvaj kabhi jhuke nahin
Dal kabhi ruke nahin
Veer tum badhe chalo!
Dheer tum badhe chalo!
Samne pahadh ho
Singh ki dahad ho
Tum nidar daro nahin
Tum nidar dato vahin
Veer tum badhe chalo!
Dheer tum badhe chalo!
Prat ho ki rat ho
Sang ho na sath ho
Surya se badhe chalo
Chandra se badhe chalo
Veer tum badhe chalo!
Dheer tum badhe chalo!
Ek dhvaj liye hue
Ek pran kiye hue
Matr bhūmi ke liye
Pitr bhumi ke liye
Veer tum badhe chalo!
Dheer tum badhe chalo!
Ann bhumi main bhra
Vaari bhumi main bhara
Yatn kar nikal lo
Ratn bhar nikal lo
Veer tum badhe chalo!
Dheer tum badhe chalo!
In terms of historical development, it is broadly classified into five prominent forms (genres) based on the date of production. They are:
Ādi Kāl /Vīr-Gāthā Kāl (आदि काल/वीरगाथा काल) — This period was marked by Poems extolling brave warriors.
Bhakti Kāl (भक्ति काल) -Prominent genre in this period was Poems of Devotion due to Bhakti Movement.
Rīti Kāl /Śṛṅgār Kāl (रीति काल/ शृंगार काल) — The major genre of this period is Poems of Romance which are marked with high ornamentalism.
Ādhunik Kāl (आधुनिक काल) — Literally means Modern literature.
Nayvottar Kāl (नव्योत्तर काल) — ] Literally means Post- Modern literature.
Literature of Adi kal (c. before the 15th century CE) was developed in the regions of Kannauj, Delhi, Ajmer stretching up to central India.Prithviraj Raso, an epic poem written by Chand Bardai (1149 – c. 1200), is considered one of the first works in the history of Hindi literature. Chand Bardai was a court poet of Prithviraj Chauhan, the famous ruler of Delhi and Ajmer during the invasion of Muhammad of Ghor.
Jayachandra, the last ruler of Kannauj gave more patronage to Sanskrit rather than local dialects. Harsha, the author of Naishdhiya Charitra, was his court poet. Jagnayak (sometimes Jagnik), the royal poet in Mahoba, and Nalha, the royal poet in Ajmer, were the other prominent literary figures in this period. However, after Prithviraj Chauhan’s defeat in the Second Battle of Tarain, most literary works belonging to this period were destroyed by the army of Muhammad of Ghor. Very few scriptures and manuscripts from this period are available and their genuineness is also doubted.
Some Siddha and Nathpanthi poetical works belonging to this period are also found, but their genuineness is again, doubted. The Siddhas belonged to the Vajrayana, a later Buddhist sect. Some scholars argue that the language of Siddha poetry is not an earlier form of Hindi, but Magadhi Prakrit. Nathpanthis were yogis who practised the Hatha yoga. Some Jain and Rasau (heroic poets) poetry works are also available from this period.
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