We know Imon Saha as a renowned music composer and director. However, with the release of his first film ‘Silence: A Musical Journey’ on November 7, he has now ventured into filmmaking. In recent years, musical films have gained widespread popularity worldwide, and Netflix’s hit series ‘K-pop Demon Hunters’ was one of the biggest successes of the year. However, musical films are quite rare in Bangladesh. Given the scarcity of such films in Bengali cinema and Imon Saha’s credentials as a national award-winning music director, expectations for his directorial debut were understandably high.
Being from the music world, Saha aimed to tell a story about the struggles and darker side of the music industry. The trailer hinted at this concept, but did the film succeed in delivering on its promise?
The story follows Maya (Neelanjana Neela), a poor village girl with a passion for singing. Her father (Azad Abul Kalam), a musician himself, has raised her to believe that music is a divine gift. But despite her vocal talent, Maya’s life remains fraught with poverty, and she struggles to make ends meet. Maya’s story takes a turn when a young man named Ali (Simon Sadiq), who loves her music, persuades her to move to Dhaka, where he believes her singing will be appreciated, and her financial woes will be solved.
Once in Dhaka, Maya is noticed by the popular DJ Disco Dinar (Entekhab Dinar). However, as she tries to maintain her authenticity in the face of fame, Maya is forced to make difficult decisions. Will she stay true to herself, or will she fall into the traps set by the industry’s commercial demands?
The Film’s Premise:
‘Silence: A Musical Journey’ is a musical drama that attempts to portray the struggles of the music world. However, its execution falters in various aspects. The rural setting of Maya’s character feels mismatched with the city’s urban backdrop, and there are numerous inconsistencies in the story. From the ill-fitting romantic scenes to the over-the-top acting, the film fails to maintain a coherent tone, especially after Maya and Ali’s arrival in Dhaka.
The movie’s central flaw lies in its weak script, exaggerated performances, and inconsistent narrative, making it hard for the audience to connect with the characters. Neelanjana Neela, who plays Maya, does her best to portray the character’s complexity, but at times, her portrayal feels out of place. While the traditional ‘dotara’ (a musical instrument) was supposed to be Maya’s companion, Neela never fully embraces this aspect of her character.
Key Issues with the Film:
Weak screenplay
Overacted performances
Inconsistent storyline and character development
Clumsy direction and editing
One of the film’s redeeming qualities is its music, with original songs like ‘Boli Ma Tor Charan Dhori’ and ‘Allah Bolo Monre Pakhi’ resonating well with the audience. However, the film’s cinematography and editing, by Rafiqul Islam and Touhid Hossain Chowdhury, were subpar, making the 1 hour 55-minute runtime feel unnecessarily long.
In conclusion, ‘Silence: A Musical Journey’ has an interesting concept, but poor execution leaves the audience feeling disappointed. What could have been a gripping musical tale instead became a missed opportunity due to its weak script, lackluster direction, and disjointed performances.