NSW Introduces Reforms to Revitalise Live Music

New legislation and initiatives in New South Wales (NSW) have ushered in a series of significant reforms aimed at making concerts and festivals more accessible for teenagers and young audiences. The measures are expected to breathe new life into the state’s live music scene, which has faced numerous challenges over the past decade.

Historical Challenges

Prior to the COVID-19 pandemic, many Sydney venues, including the Metro Theatre, regularly hosted performances for audiences under 18. However, the pandemic forced these initiatives to be suspended. Long before COVID, NSW’s live music industry struggled with restrictive regulations, most notably the controversial “lockout laws” introduced in 2014. These laws, intended to curb alcohol-related violence, had the unintended consequence of stifling live music.

The table below summarises the lockout laws and their impact:

YearLaw / PolicyImpact
20141:30 AM lockout, alcohol service restricted after 3:00 AMLive music revenues dropped by 40%; numerous venues closed
2016APRA AMCOS dataLive music earnings in lockout areas reduced by 40%
2023Lockout laws repealedVenues began to recover operations

New Reforms and Support

Among the new reforms is a pioneering law preventing fines for single “sound spikes,” giving venues more flexibility with audio levels. Additionally, customised support for live venues will be provided, alongside protections against extra charges targeting specific genres of music.

A $500,000 grant fund has been established to support all-ages events, with individual venues eligible for up to $100,000. This funding is intended to cover costs for at least three all-ages live music events per year.

Metro Theatre CEO Sam Nardo remarked,
“This is an incredibly exciting time for live music promoters. We previously ran programs specifically for under-18s, which had to be halted due to COVID. These changes allow us to bring those opportunities back.”

Musicians Welcome the Move

Musicians Dave Symes and Jon Hart of the band Boy and Bear said,
“Hosting events for audiences of all ages is very special. It offers young people a crucial live music experience, and may even inspire the musicians of tomorrow.”

Enhanced Safety and Experience

NSW Minister for Music and the Night-Time Economy, Jon Graham, added,
“The new law will reduce disputes over sound limits at festivals. Previously, sudden noise spikes could result in shutdowns or fines. The new averaging system is much more supportive for both venues and festivals.”

Adelle Robinson, Chair of the Australian Festivals Association, noted,
“Audiences can now expect better sound quality, while neighbours experience less disturbance.”

With these reforms, NSW aims to re-establish itself as a premier destination for young music fans, while providing local musicians with greater opportunities to perform and connect with future audiences.

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