Amid the relentless pace of expatriate life and the daily humdrum of routine, the beloved Bangladeshi folk ensemble Joler Gaan offered a musical evening that transported audiences straight to the heart of Bengal. This special performance, held last Sunday in Sydney, Australia, captivated both the Bangladeshi diaspora and local Australian audiences, weaving the earthy fragrances and timeless melodies of Bangladesh into the theatre hall. The event was organised by Chander Hat, a social and welfare-oriented organisation dedicated to safeguarding the rights and wellbeing of international students and immigrants.
The evening unfolded at Brian Brown Theatre, Bankstown, where the moment Rahul Anand’s flute filled the air with its soulful strains, the audience, including Australian politician Wendy Lindsay, was visibly enthralled. Invited to the stage, Lindsay took the microphone herself and performed alongside Anand, blending her rendition of Australian artist Wendy Matthews’ “As Gentle Tides Go Rolling By” with his melodic flute. The performance drew enthusiastic applause from a mesmerised audience.
Alongside Anand, renowned musician Konok Aditya and several Sydney-based Bangladeshi artists contributed to the evening’s enchanting repertoire. The stage featured specially crafted instruments by Anand himself, including Shuktara, Momota, Ghungur, and Mandira, creating a uniquely authentic soundscape. The highlight of the evening was the debut of Joler Gaan’s latest composition, “Jhukur Jhuk”, performed in collaboration with local bands Rock Cassette and Charu, who provided percussion, dhol, kahon, and guitar accompaniment. The combined melodies of flute, dhol, conch, and khanjani evoked the lush landscapes and earthy aroma of Bengal, leaving expatriates nostalgic yet rejuvenated.
Organisers confirmed that the event’s proceeds would be fully directed towards welfare initiatives and immigrant rights programmes. Audience members expressed that the evening not only reignited patriotic sentiments but also offered a moment of respite and tranquillity amidst the pressures of overseas life. Many commented that Anand’s flute, in particular, provided a calming effect that eased stress and inspired reflection.
This musical and storytelling tour continues across four cities in Australia, bringing the sounds and spirit of Bangladesh to the global stage.
| Detail | Description |
|---|---|
| Organiser | Chander Hat (Social & Welfare Organisation) |
| Venue | Brian Brown Theatre, Bankstown, Sydney |
| Lead Artists | Rahul Anand, Konok Aditya, Wendy Lindsay |
| Local Collaborators | Rock Cassette Band, Charu Band |
| Key Instruments | Flute, Shuktara, Momota, Ghungur, Mandira, Dhol, Khanjani, Conch, Kahon |
| New Composition | “Jhukur Jhuk” |
| Audience | Several hundred expatriates and local citizens |
| Proceeds Purpose | Welfare and expatriate rights initiatives |
