Renowned Bangladeshi singer Dilruba Khan is set to captivate audiences once again with a unique blend of traditional folk music and contemporary expression. Known for her chart-topping hits such as Pagol Mon and Dui Bhuvaner Dui Bashinda, Bondhu Chirokal, Khan has now recorded a new puthi and kichha focusing on the lives of former Prime Minister Begum Khaleda Zia and BNP Chairman Tarique Rahman. She confirmed the project herself through her social media platforms.
In a detailed post on Facebook, Khan reflected on her early experiences with folk music, stating, “As children, we would listen to the enchanting tunes of puthi songs, kichha, and other narrative melodies at village gatherings. Today, amid the rush of modernity, these traditions are increasingly fading. My small effort aims to bring this rich cultural heritage to the younger generation.” She added, “Through the rhythms of tradition and the narrative style of kichha, I have tried to present certain aspects of Khaleda Zia’s and Tarique Rahman’s lives and struggles. I hope this inspires renewed interest in preserving our culture.”
Both the puthi and kichha will be officially released on her YouTube channel, Dilruba Khan Official, according to the following schedule:
| Event | Release Date | Time (Bangladesh) | Platform |
|---|---|---|---|
| Puthi Song | Sunday, 25 Jan 2026 | 5:00 PM | YouTube – Dilruba Khan Official |
| Kichha | Monday, 26 Jan 2026 | 5:00 PM | YouTube – Dilruba Khan Official |
Dilruba Khan’s musical journey originates from Rajshahi and Rangpur, in the household of the legendary Bangladesh Radio artist Syed Hamidur Rahman. Despite her father’s initial reluctance for her to pursue music professionally, her deep passion for song and melody propelled her into national prominence. Notably, the success of Pagol Mon and Dui Bhuvaner Dui Bashinda, Bondhu Chirokal cemented her reputation across the country.
With this latest release, Khan is not merely presenting her vocal artistry; she is also striving to revive and transmit the fading cultural heritage of rural Bangladesh to a new generation. By merging age-old storytelling traditions with contemporary interpretation, she hopes to ensure that these art forms remain vibrant and relevant in modern times.