শনিবার, ৮ই আগস্ট ২০২৬, ২৪শে শ্রাবণ ১৪৩৩
শনিবার, ৮ই আগস্ট ২০২৬, ২৪শে শ্রাবণ ১৪৩৩
ব্রেকিং নিউজ :
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Between Nishi Sraboni and Akash Sen Remembering Anwar Uddin Khan: A Poetic Voice Saved from Obscurity Remembering Mohammed Rafi: The Immortal Voice of Indian Cinema Katy Perry Expresses Outrage After Trump White House Uses ‘Firework’ in Iran Attack Video The Enduring Legacy of Different Touch Vocalist Mesba Rahman Mainul Ahsan Nobel Introduces Son During Emotional Concert Performance Bangladesh Broadcasting Corporation Enlists 92 Composers and Music Directors Twin Birthdays, One Musical Legacy: The Immortal Pairing of Kamal and Firoza Begum Rock Icon James Headlines Vibrant Cultural Gala for Lisbon Diaspora Puja Balances New Music, Stage Shows and London Concerts An In-Depth Article on the Musical Collaboration Between Nishi Sraboni and Akash Sen Remembering Anwar Uddin Khan: A Poetic Voice Saved from Obscurity Remembering Mohammed Rafi: The Immortal Voice of Indian Cinema Katy Perry Expresses Outrage After Trump White House Uses ‘Firework’ in Iran Attack Video The Enduring Legacy of 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Lyrics

Jaane woh kaise log the jinke | Pyaasa 1957 | S. D. Burman

খবরওয়ালা ডেস্ক

প্রকাশ: ৩১ই অক্টোবর ২০১৮, ৩:১৪ পিএম

Jaane woh kaise log the jinke | Pyaasa 1957 | S. D. Burman
“Jaane Woh Kaise Log The Jinke” from Pyaasa (1957) is one of the most hauntingly beautiful songs in the history of Indian cinema, composed by S. D. Burman with lyrics by Sahir Ludhianvi and sung soulfully by Hemant Kumar. Featured on Guru Dutt, who also directed the film, the song captures the anguish of a disillusioned poet reflecting on a world that has lost its humanity and idealism. Its slow, contemplative melody, set in Raag Kafi, evokes deep melancholy, while Sahir’s words lament the hypocrisy and emptiness hidden behind society’s façade of respectability. In the context of Pyaasa, the song becomes a philosophical confession — an elegy for purity, friendship, and love betrayed by a materialistic world. S. D. Burman’s restrained orchestration and Hemant Kumar’s velvety voice together make this timeless ghazal-like composition a profound symbol of loneliness and moral decay, still resonating with audiences decades later.

Jaane woh kaise log the jinke

Jaane Woh Kaise, Log The Jinke,
Pyaar Ko Pyaar Mila,
Jaane Woh Kaise, Log The Jinke,
Pyaar Ko Pyaar Mila.
Humne To Jab Kaliyan Maangi,
Kaaton Ka Haar Mila,
Jaane Woh Kaise, Log The Jinke,
Pyaar Ko Pyaar Mila.
Khushiyon Ki Manzil Dhoondi To,
Gam Ki Gard Mili,
Khushiyon Ki Manzil Dhoondi To,
Gam Ki Gard Mili,
Chahat Ke Nagme Chahe To,
Aahen Sard Mili,
Dil Ke Bojh Ko Doona Kar Gaya,
Jo Gam khwar Mila,
Humne To Jab Kaliyan Maangi,
Kaaton Ka Haar Mila.
Jaane Woh Kaise, Log The Jinke,
Pyaar Ko Pyaar Mila.
Bichhad Gaya Aa Aa, Bichhad Gaya,
Bichhad Gaya Har Saathi Dekar,
Pal Do Pal Ka Saath,
Kisko Phursat Hai Jo Thaame,
Deewanon Ka Haath,
Humko Apna Saaya Tak,
Aqsar Bezaar Mila,
Humne To Jab Kaliyan Maangi,
Kaaton Ka Haar Mila,
Jaane Woh Kaise, Log The Jinke,
Pyaar Ko Pyaar Mila.
Isko Hi Jeena Kehte Hain To,
Yunhi Ji Lenge,
Isko Hi Jeena Kehte Hain To,
Yunhi Ji Lenge,
Uff Na Karenge, Lab See Lenge,
Aansoo Pee Lenge,
Gham Se Ab Ghabraana Kaisa
Gham Sau Baar Mila,
Humne To Jab Kaliyan Maangi,
Kaaton Ka Haar Mila,
Jaane Woh Kaise, Log The Jinke

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