Do din ki bahar hai pyar kar lyrics . Do din ki bahar hai pyar kar lyrics is a 1949 Indian Hindi-language romantic musical film directed by A.R. Kardar. The film stars Madhubala, Geeta Bali and Suresh, and its music was composed by Naushad. Dulari revolved around Prem (Suresh), a rich man who falls in love with the eponymous gypsy girl (Madhubala).
Do din ki bahar hai pyar kar lyrics | Lata Mangeshkar | Dulaari 1949
singer: Lata Mangeshkar
movie: Dulaari 1949
Do din ki bahar hai pyar kar lyrics :
Do din ki bahar pyare
Dil mein basa le pyar
Dil mein basa le pyar
Do din ki bahar do din ki
Do din ki bahar do din ki
Aha aha ha ha ha
Do din ki bahar pyare
Dil mein basa le pyar
Dil mein basa le pyar
Do din ki bahar do din ki
Do din ki bahar do din ki
Do din ki bahar pyare
Do din ki yeh bahar
Do din ki bahar do din ki
Do din ki bahar pyare
Do din ki bahar
Dil mein basa le pyar balama
Dil mein basa le pyar
Basa le pyar basa le pyar
Dil mein basa le pyar balama
Dil mein basa le pyar
Do din ki bahar pyare
Do din ki bahar
Dekho yeh rut phir naa aayegee
Dil ko naa tadapayegee
Payal ki jhankar pyare
Do din ki bahar
Bhed jiya ke chhaila
Bhed jiya ke chhaila
Kaise kahun, babu kaise kahun
Hay o rasiya kaise kahun
Hoy kaise kahun
Rey babu kaise kahun
Rey chhaila kaise kahun
Mere hontho par jo gana hai
Har dil kaa afasana hai
Sun lo jara sarakar pyare
Do din ki bahar
Geet anokhe gaoon
Geet anokhe gaoon
Tere liye, o sajan tere liye
Hay o balam tere liye, hoy tere liye
Rey babu tere liye, rey chhaila tere liye
Mere sang sang too bhee gata ja
Dil kaa saj bajata ja
Dekh naa kar inakar pyare
Do din ki bahar
Dil mein basa le pyar
Balama dil mein basa le pyar.
Dulaari : Although not well-received by critics, the film became a major commercial success on its release. It was also continuously shown in theaters for over 35 weeks and subsequently emerged as a silver jubilee hit. The film’s success played an important role in the career developments of Madhubala, Bali and Naushad.
Lata Mangeshkar: In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India.In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India’s highest civilian honour; she is only the second female singer, after M. S. Subbulakshmi, to receive this honour.France conferred on her its highest civilian award, Officer of the National Order of the Legion of Honour, in 2007
She was the recipient of three National Film Awards, 15 Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at the Royal Albert Hall in London, UK.
The duo, Shankar–Jaikishan, chose Lata for Barsaat (1949), Aah (1953), Shree 420 (1955) and Chori Chori (1956). Before 1957,composer S. D. Burman chose her as the leading female singer for his musical scores in Sazaa (1951), House No. 44 (1955), and Devdas (1955). However a rift developed between her and Burman in 1957, and she did not sing his compositions again until 1962
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