Music Gurukul, GOLN

Yeh duniya kehti hai lyrics | Lata Mangeshkar ,Husnlal Batish | Bansaria | 1949

Yeh duniya kehti hai

Yeh duniya kehti hai lyrics | Lata Mangeshkar ,Husnlal Batish | Bansaria | 1949

Movie: Bansaria
Singers: Husnlal Batish, Lata Mangeshkar
Song Lyricists: Mulkraj Bhakri
Music Composer: Bhagatram Batish
Music Director: Bhagatram Batish

 

Lata-Mangeshkar, লতা মঙ্গেশকর, لاتا مانجيشكار ,लता मंगेशकरी, لتا منگیشکر

 

Lata-Mangeshkar was an Indian playback singer and occasional music composer. She is widely considered to have been one of the greatest and most influential singers in India.Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the “Queen of Melody”, “Nightingale of India”, and “Voice of the Millennium”.

Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali. Her foreign languages included English, Russian, Dutch, Nepali, and Swahili.She received several accolades and honors throughout her career. In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India.

In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India’s highest civilian honour; she is only the second female singer, after M. S. Subbulakshmi, to receive this honour. France conferred on her its highest civilian award, Officer of the National Order of the Legion of Honour, in 2007.

She was the recipient of three National Film Awards, 15 Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at the Royal Albert Hall in London, UK. Her last recorded song was “Saugandh Mujhe Is Mitti ki” released on 30 March 2019 as a tribute to the Indian Army and the Nation.

Lata-Mangeshkar, লতা মঙ্গেশকর, لاتا مانجيشكار ,लता मंगेशकरी, لتا منگیشکر

Initially, she is said to have imitated the acclaimed singer Noor Jehan, but she later developed her own style of singing.She brought a new signature style of singing to Indian film music, moving away from mehfil-style performances to suit both ‘modern’ and ‘traditional’ female protagonists. A soprano range voice with less volume or amplitude, she had enough weight in her voice to give definite shape to the melody of Indian film songs.

Although she had limited coloratura skills in her early career, she developed better tone and pitch as she progressed in her playback career. Lyrics of songs in Hindi movies were, in those days, primarily composed by Urdu poets and contained a higher proportion of Urdu words, including the dialogue.

Actor Dilip Kumar once made a mildly disapproving remark about her accent while singing Hindi/Urdu songs; so for a period of time, she took lessons in Urdu from an Urdu teacher named Shafi.In subsequent interviews she said that Noor Jehan heard her as a child and had told her to practice a lot. The two stayed in touch with each other for many years to come.

She made her Kannada debut in 1967 for the film Kranthiveera Sangolli Rayanna by recording two songs for the music director Lakshman Berlekar.The song “Bellane Belagayithu” was well received and appreciated.

In the 1960s, she recorded duets with Kishore Kumar, Mukesh, Manna Dey, Mahendra Kapoor and Mohammed Rafi. For a brief period during the 1960s, she was not on good terms with Mohammed Rafi over the issue of royalty payments to singers. She wanted Rafi to back her in demanding a half-share from the five percent song royalty that the film’s producer conceded to select composers.

But Rafi took a diametrically opposite view, and believed that a playback singer’s claim on the filmmaker ended with the payment of the agreed fee for the song, leading to tensions between the two. After an argument during the recording of the song “Tasveer Teri Dil Mein”, from Maya (1961), the two refused to sing with each other. The music director Shankar Jaikishan later negotiated a reconciliation between the two

 

Yeh duniya kehti hai lyrics | Lata Mangeshkar ,Husnlal Batish | Bansaria | 1949

Lata-Mangeshkar, লতা মঙ্গেশকর, لاتا مانجيشكار ,लता मंगेशकरी, لتا منگیشکر

Yeh duniya kehti hai lyrics :

Ye duniya kehti hai
Koi fariyaad na kare
Kisi ko yaad na kare
Kisi ko yaad na kare
Ye duniya kehti hai
Koi fariyaad na kare
Kisi ko yaad na kare
Kisi ko yaad na kare

Koi sunta nahi apni duaa
Kisko yeh dukhde sunaye
Dikhaye kisko jaakar
Is dil e barbaad ke tukde
Dil e barbaad ke tukde
Ye duniya kehti hai
Koi fariyaad na kare
Kisi ko yaad na kare
Kisi ko yaad na kare

Hai dil mein dard lekin
Ham labo si ke baithe hai
Labo si ke baithe hai
Kaleja tham kar aur
Yeh aansu pee ke baithe hia
Pee ke baithe hia
Ye duniya kehti hai
Koi fariyaad na kare
Kisi ko yaad na kare
Kisi ko yaad na kare

Akeli jaan par itne
Sitam hum seh nahi sakte
Sitam hum seh nahi sakte
Magar kuchh baat aisi hai
Ke munh se keh nahi sakte
Ke munh se keh nahi sakte
Ye duniya kehti hai
Koi fariyaad na kare
Kisi ko yaad na kare
Kisi ko yaad na kare
Ye duniya kehti hai
Koi fariyaad na kare
Kisi ko yaad na kare
Kisi ko yaad na kare.

Lata-mangeshkar

Read more:

Exit mobile version