Mere liye wo gham e intezar lyrics | Lata Mangeshkar | Anokha pyar | 1948

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Mere liye wo gham e intezar lyrics | Lata Mangeshkar | Anokha pyar | 1948

Singer: Lata Mangeshkar, Ira Nagrath, Mukesh
Lyricist: Behzad Lakhnavi, Shams Azimabadi, Zia Sarhadi, Gopal Singh Nepali

Music Director: Anil Biswas

Lata Mangeshkar, লতা মঙ্গেশকর, لاتا مانجيشكار ,लता मंगेशकरी, لتا منگیشکر

Anokha Pyar is a 1948 Indian Hindi language film starring Dilip Kumar, Nargis and Nalini Jaywant. The black and white romantic love triangle was directed by M. I. Dharamsey under the Ambika Films banner. The music was composed by Anil Biswas, who gave a then unknown young Lata Mangeshkar quite a few songs to sing for the film. The rest of the cast included Sankatha Prasad, Mukri, Ved, Kesarbai, Habib and Sheikh.

Mere liye wo gham e intezar lyrics | Lata Mangeshkar | Anokha pyar | 1948

Mere liye wo gham e intezar lyrics :

mere liye wo gam-e-intezar chhod gaye
mere liye wo gam-e-intezar chhod gaye
gaye to ek anokhi bahar chhod gaye
gaye to ek anokhi bahar chhod gaye

hazaar kuch ho mera dil palat nahi sakta
hazaar kuch ho mera dil palat nahi sakta
unhi ke honth mujhe bekarar chhod gaye
unhi ke honth mujhe bekarar chhod gaye

isi khayal se kanpa kiya tha dil mera
isi khayal se kanpa kiya tha dil mera
yahi hua ke wo anjam-e-kaaj chhod gaye
yahi hua ke wo anjam-e-kaaj chhod gaye

mujhe ye gam hai ki meri zaba ne kuch na kaha
mujhe ye gam hai ki meri zaba ne kuch na kaha
unhe kahe sune diwana baag chhod gaye
unhe kahe sune diwana baag chhod gaye
mere liye wo gam-e-intezar chhod gaye

Lata Mangeshkar (born as Hema Mangeshkar; 28 September 1929 – 6 February 2022)was an Indian playback singer and occasional music composer. She is widely considered to have been one of the greatest and most influential singers in India.Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the “Queen of Melody”, “Nightingale of India”, and “Voice of the Millennium”.

Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali. Her foreign languages included English, Russian, Dutch, Nepali, and Swahili. She received several accolades and honors throughout her career. In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India.

In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India’s highest civilian honour; she is only the second female singer, after M. S. Subbulakshmi, to receive this honour. France conferred on her its highest civilian award, Officer of the National Order of the Legion of Honour, in 2007.

She was the recipient of three National Film Awards, 15 Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at the Royal Albert Hall in London, UK. Her last recorded song was “Saugandh Mujhe Is Mitti ki” released on 30 March 2019 as a tribute to the Indian Army and the Nation.

At one point, she appeared in the Guinness World Records, which listed her as the most recorded artist in history between 1948 and 1987
In 1942, when Mangeshkar was 13, her father died of heart disease.Master Vinayak (Vinayak Damodar Karnataki), the owner of Navyug Chitrapat movie company and a close friend of the Mangeshkar family, took care of them. He helped her get started in a career as a singer and actress.

She sang the song “Naachu Yaa Gade, Khelu Saari Mani Haus Bhaari”, which was composed by Sadashivrao Nevrekar for Vasant Joglekar’s Marathi movie Kiti Hasaal (1942), but the song was dropped from the final cut.

Vinayak gave her a small role in Navyug Chitrapat’s Marathi movie Pahili Mangalaa-gaur (1942), in which she sang “Natali Chaitraachi Navalaai” which was composed by Dada Chandekar. Her first Hindi song was “Mata Ek Sapoot Ki Duniya Badal De Tu” for the Marathi film Gajaabhaau (1943). The Bollywood industry was yet to find its feet, so Mangeshkar had to first concentrate on acting, which she didn’t like, as the lights and people ordering her around made her feel uncomfortable.

She moved to Mumbai in 1945 when Master Vinayak’s company moved its headquarters there. She started taking lessons in Hindustani classical music from Ustad Aman Ali Khan of Bhindibazaar Gharana.She sang “Paa Lagoon Kar Jori” for Vasant Joglekar’s Hindi-language movie Aap Ki Seva Mein (1946), which was composed by Datta Davjekar.

The dance in the film was performed by Rohini Bhate, who later became a famous classical dancer.Lata and her sister Asha played minor roles in Vinayak’s first Hindi-language movie, Badi Maa (1945). In that movie, Lata also sang a bhajan, “Maata Tere Charnon Mein.” She was introduced to music director Vasant Desai during the recording of Vinayak’s second Hindi-language movie, Subhadra (1946).

After Vinayak’s death in 1948, music director Ghulam Haider mentored her as a singer. He introduced her to producer Sashadhar Mukherjee, who was then working on the movie Shaheed (1948), but Mukherjee dismissed her voice as “too thin”. An annoyed Haider responded that in coming years producers and directors would “fall at Lata’s feet” and “beg her” to sing in their movies.

Haider gave her her first major break with the song “Dil Mera Toda, Mujhe Kahin Ka Na Chhora”—lyrics by Nazim Panipati—in the movie Majboor (1948), which became her first big breakthrough film hit. In an interview on her 84th birthday in 2013, she declared “Ghulam Haider is truly my Godfather. He was the first music director who showed complete faith in my talent.”

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