Darna mohabbat lyrics | Lata Mangeshkar, Shamshad Begum | Andaz | 1949

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Darna mohabbat lyrics | Lata Mangeshkar, Shamshad Begum | Andaz | 1949

Movie: Andaz
Singers: Lata Mangeshkar, Shamshad Begum
Song Lyricists: Majrooh Sultanpuri
Music Composer: Naushad Ali
Music Director: Naushad Ali

Shamshad Begum was an Indian singer who was one of the first playback singers in the Hindi film industry. Notable for her distinctive voice and range, she sang over 6,000 songs in Hindustani, Bengali, Marathi, Gujarati, Tamil, and Punjabi languages, among which 1287 were Hindi film songs. She worked with renowned composers of the time, such as Naushad Ali and O. P. Nayyar, for whom she was one of their favorites. Her songs from the 1940s to the early 1970s remain popular and continue to be remixed.

Darna mohabbat lyrics | Lata Mangeshkar, Shamshad Begum | Andaz | 1949

Lata Mangeshkar, লতা মঙ্গেশকর, لاتا مانجيشكار ,लता मंगेशकरी, لتا منگیشکر

Darna mohabbat lyrics :

Dar na mohabbat karle
Dar na mohabbat karle
Ulfat se jholi bhar le
Dooniya hai char din
Ki ji le chahe mar le
Ho dar na mohabbat karle
Dar na mohabbat karle

Dooniya fani too bhi fani
Leta ja ulfat ki nishani
Do lafzo ki ek kahani
Ek mohabbat ek jawani
Yad isse too karle
Yad isse too karle
Dar na mohabbat karle
Dar na mohabbat karle

Dooniya toh kato kaa ek ban hain
Aur ulfat phoolo kaa chaman hain
Kar le wahi jo dil ki lagan hain
Soch na manzil dil ki kathan hain
Ho dil ki kathan hain
Iss manzil se gujar le
Iss manzil se gujar le

Dar na mohabbat karle
Dar na mohabbat karle
Ulfat se jholi bhar le
Dooniya hai char din
Ki ji le chahe marr le
Ho dar na mohabbat karle
Dar na mohabbat karle

Kehna jo tune mera na mana
Pichhe padega phir pachhtana
Dekhle apna karle thikana
Yeh hai mohabbat woh hai
Zamana woh hai zamana
Hass le ya ahen bhar le
Hass le ya ahen bhar le
Dar na mohabbat karle
Dar na mohabbat karle.

Lata Mangeshkar (born as Hema Mangeshkar; 28 September 1929 – 6 February 2022)was an Indian playback singer and occasional music composer. She is widely considered to have been one of the greatest and most influential singers in India.Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the “Queen of Melody”, “Nightingale of India”, and “Voice of the Millennium”.

Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali. Her foreign languages included English, Russian, Dutch, Nepali, and Swahili.She received several accolades and honors throughout her career. In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India.

In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India’s highest civilian honour; she is only the second female singer, after M. S. Subbulakshmi, to receive this honour. France conferred on her its highest civilian award, Officer of the National Order of the Legion of Honour, in 2007.

She was the recipient of three National Film Awards, 15 Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at the Royal Albert Hall in London, UK. Her last recorded song was “Saugandh Mujhe Is Mitti ki” released on 30 March 2019 as a tribute to the Indian Army and the Nation.

At one point, she appeared in the Guinness World Records, which listed her as the most recorded artist in history between 1948 and 1987.

Initially, she is said to have imitated the acclaimed singer Noor Jehan, but she later developed her own style of singing.She brought a new signature style of singing to Indian film music, moving away from mehfil-style performances to suit both ‘modern’ and ‘traditional’ female protagonists. A soprano range voice with less volume or amplitude, she had enough weight in her voice to give definite shape to the melody of Indian film songs.

Although she had limited coloratura skills in her early career, she developed better tone and pitch as she progressed in her playback career. Lyrics of songs in Hindi movies were, in those days, primarily composed by Urdu poets and contained a higher proportion of Urdu words, including the dialogue.

Actor Dilip Kumar once made a mildly disapproving remark about her accent while singing Hindi/Urdu songs; so for a period of time, she took lessons in Urdu from an Urdu teacher named Shafi.In subsequent interviews she said that Noor Jehan heard her as a child and had told her to practice a lot. The two stayed in touch with each other for many years to come

In 2001, Mangeshkar was awarded the Bharat Ratna, India’s highest civilian honour.

In the same year, she established the Master Deenanath Mangeshkar Hospital in Pune, managed by the Lata Mangeshkar Medical Foundation (founded by the Mangeshkar family in October 1989). In 2005, she designed a jewellery collection called Swaranjali, which was crafted by Adora, an Indian diamond export company. Five pieces from the collection raised £105,000 at a Christie’s auction, and a part of the money was donated for the 2005 Kashmir earthquake relief. Also in 2001, she recorded her first Hindi song with the composer Ilaiyaraaja, for the film Lajja;

she had earlier recorded Tamil and Telugu songs composed by Ilaiyaraaja.

Her song “Wada Na Tod” was included in the film Eternal Sunshine of the Spotless Mind (2004) and in its soundtrack.

After 14 years, she recorded a song for composer Nadeem-Shravan; “Kaise Piya Se” for Bewafaa (2005). She recorded with Shamir Tandon “Kitne Ajeeb Rishte Hain Yahan Pe” for Page 3 (2005) and “Daata Sun Le” for Jail (2009).

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