Bedard tere dard ko lyrics | Lata Mangeshkar | Padmini | 1948
Song Name : Bedard Tere Dard Ko
Movie : Padmini
Singer : Lata Mangeshkar
Music Director : Ghulam Haider
Lyrics by : Wali Sahab
Ghulam Haider (1908 – 9 November 1953), also known by the honorary title Master Ghulam Haider, was a Pakistani music composer who worked both in India and later in Pakistan after its independence in 1947.
He changed the face of film songs by combining the popular Raags with the verve and rhythm of Punjabi music, and also helped raise the status of film music directors. He is also known for giving a break to the well-known playback singer, Lata Mangeshkar.
In an interview, Lata Mangeshkar herself disclosed on her 84th birthday in 2013, “Ghulam Haider is truly my Godfather. It was his confidence in me that he fought for me to tuck me into the Hindi Film Industry which otherwise had rejected me”. Remembering her early rejection, Lata once said, “Ghulam Haider was the first music director who showed complete faith in my talent. He introduced me to many producers including S. Mukerji, a big name in film production, but when he too rejected me, Ghulam Haider was very furious. Hence, finally he convinced Bombay Talkies, a banner bigger than S. Mukerji and introduced me through their movie Majboor (1948 film)”
Bedard tere dard ko lyrics | Lata Mangeshkar | Padmini | 194
Bedard tere dard ko lyrics :
Bedard tere dard ko
Sine se lagaa ke
Ro lege tasavur mein
Tujhe paas bithaa ke
Bedard tere dard ko
Sine se lagaa ke
Ro lege tasavur mein
Tujhe paas bithaa ke
Jab dur thi unase
Main bahut paas thi unake
Kyun dur kiyaa thaa
Yun mujhe paas bulaa ke
Bedard tere dard ko
Sine se lagaa ke
Ro lege tasavur mein
Tujhe paas bithaa ke
Barabaad bhi hoke na
Karege teraa shikawaa
Barabaad bhi hoke na
Karege teraa shikawaa
Hans lege gae waqt ko
Ham saamane laa ke
Bedard tere dard ko
Sine se lagaa ke
Ro lege tasavur mei
tujhe paas bithaa ke
Thandak unhe milati hai
Agar meri jalan se
Thandak unhe milati hai
Agar meri jalan se
Dekhungi tamaasha
Main bhare ghar ko jalaa ke
Bedard tere dard ko
Sine se lagaa ke
Ro lege tasavur mein
Tujhe paas bithaa ke.
Lata Mangeshkar (born as Hema Mangeshkar; 28 September 1929 – 6 February 2022) was an Indian playback singer and occasional music composer. She is widely considered to have been one of the greatest and most influential singers in India.Her contribution to the Indian music industry in a career spanning eight decades gained her honorific titles such as the “Queen of Melody”, “Nightingale of India”, and “Voice of the Millennium”.
Lata recorded songs in over thirty-six Indian languages and a few foreign languages, though primarily in Marathi, Hindi, and Bengali.Her foreign languages included English, Russian, Dutch, Nepali, and Swahili.She received several accolades and honors throughout her career. In 1989, the Dadasaheb Phalke Award was bestowed on her by the Government of India.In 2001, in recognition of her contributions to the nation, she was awarded the Bharat Ratna, India’s highest civilian honour;
She was the recipient of three National Film Awards, 15 Bengal Film Journalists’ Association Awards, four Filmfare Best Female Playback Awards, two Filmfare Special Awards, the Filmfare Lifetime Achievement Award and many more. In 1974, she was one of the first Indian playback singers to perform at the Royal Albert Hall in London, UK. Her last recorded song was “Saugandh Mujhe Is Mitti ki” released on 30 March 2019 as a tribute to the Indian Army and the Nation.
At one point, she appeared in the Guinness World Records, which listed her as the most recorded artist in history between 1948 and 1987
Mangeshkar was born on 28 September 1929: 67 in a Maharashtrian Brahmin familyin Indore, (in the present-day Indore district of Madhya Pradesh and then the capital of the princely state of Indore which was part of the Central India Agency in British India). Her father, Deenanath Mangeshkar, was a Marathi and Konkani classical singer and theatre actor.
One of her first major hits was “Aayega Aanewaala,” a song in the movie Mahal (1949), composed by music director Khemchand Prakash and lip-synced on screen by actress Madhubala.This was a defining moment for her, and a catalyst for the recognition of playback singers in India. Before this, playback singers were seen as the vocal equivalent of a stuntman and remained invisible and uncredited. This song was such a big hit, that Radio Goa revealed her identity and she became a star in her own right. This opened the door for other playback singers to achieve the recognition they deserved.
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